Each painting is an original work, made with care and intention. Every piece carries its own mood, texture, and story — ready to bring life to your space.
Mixed media on canvas · 2026
24 × 36 inches
Current highest bid: $28,000
The peak of a decade that burned bright and brief. Brass shell casings, champagne, and the most extraordinary vintage in history — all pressed into one canvas.
Mixed media on canvas · 2026
24 × 36 inches
Current highest bid: $18,888
Born in one day. Dead in one day. Yesterday is gone, tomorrow is unknown. A boat moves through the center, unhurried.
Mixed media on canvas · 2026
24 × 36 inches
Current highest bid: $28,132
Found near a dumpster — an old Asian canvas left to disappear. Rousseau painted over it entirely, transforming what someone else discarded into something entirely his own.
Mixed media on canvas · 2026
24 × 36 inches
Current highest bid: $17,926
Street art energy with the gravity of lived history. A Brazilian banknote, five legs, symbols of love, and a word that insists on being said out loud.
Mixed media on canvas · 2026
24 × 36 inches
Current highest bid: $31,490
His personal favorite. A glass broke mid-painting — he pressed it into the canvas. It is still there.
Mixed media on canvas · 2026
24 × 36 inches
Current highest bid: $57,901
The cover of his forthcoming book. The inspiration for a signature cocktail. London, New York, a bottle of Cristal — an explosion of everything at once.
Live Auction
June 12, 2026 — January 1, 2027
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Biography
Born in Paris on March 29, 1967, Hervé Rousseau came of age in a city that taught him to see beauty as a serious pursuit. From an early age, he drew constantly — creating characters, animals, and stories that lived somewhere between the grotesque and the deeply funny.
His professional life unfolded at the intersection of ambition and independence. After being selected from a pool of 9,000 candidates for a position at Danone Group, one of the world's largest food companies, Rousseau quickly realized that corporate structure was not his natural habitat. He moved on to the Rémy Martin Group, where he spent five years managing three of the most prestigious champagne brands in the world — Krug, Piper-Heidsieck, and Charles Heidsieck. That experience planted a seed.
On September 26, 1997, he opened the first Flûte Champagne Bar in New York City. Seven more would follow — across Manhattan, London, Paris, and Miami Beach — establishing Rousseau as one of the most distinctive voices in champagne culture in the world.
Painting was always present, surfacing between chapters of a life lived at full speed. In 2026, he returned to it with intention. Working across abstraction and personal narrative, his canvases draw from philosophy, found objects, memory, and an obsession with the physical beauty of things. He cites Picasso, Chagall, and Matisse as his artistic north stars — painters who understood that a canvas should feel alive.
His first public exhibition opens on June 12, 2026, at Flûte Champagne Bar, New York City.
— Hervé Rousseau
Every painting begins with one idea. I place it at the center and build everything else around it.
I work with metallic water-based paint — fifty colors lined up along the window that faces west. I use what I find — brass shell casings from an abandoned railway, jewelry from the street, objects picked up with my son in a castle in southwest France. Found objects carry a history that paint alone cannot invent.
Light matters to me enormously. I light every painting. Champagne Molotov was the first where I put the light inside the canvas itself.
I am drawn to Picasso, Chagall, Matisse — painters who understood that a canvas should pulse with life. Color, movement, what I call the bubble flow. I have a very hard time using black. Optimism is not a decoration. It is how I see.
I want to surprise people. I want them to see things they were not expecting to see.
And I want them to leave my work slightly different from how they arrived. If I achieve that, I have done my job.
— Hervé Rousseau